I have a sore on the inside of my knee. Why?
Because I didn't move that extra piece of the stirrup leather that had scrunched up between my knee and the saddle. You know that extra piece of which I speak. Not during tempis. Not during collected-medium-collected transitions. Not even during canter pirouettes. I was just too lazy to move it. And now I have a sore.
Procrastination has paid off again. Oh yes, procrastination has paid off again.
Monday, October 25, 2010
Wednesday, October 13, 2010
October 13, 2010
Things I focus on every day with Nikita:
Elasticity in the transition from medium trot to collected trot or passage
Sitting more in the pirouettes and not travelling
Straightness in and out of pirouettes
Elasticity in the transition from medium trot to collected trot or passage
Straightness and rhythm in the half passes
Most of the trot tour in the I-1 test, making sure she stays elastic and powerful
Staying straight in the 4, 3, and 2 tempis
I have a tendancy in the trot to want to make it too short, almost too much like passage. I just realized watching the video of half passes below that doing such causes the trot to totally lose power.
Monday, October 11, 2010
Tuesday, October 5, 2010
Saturday, October 2, 2010
New Trot Video 10-2-2010
Nikita and I seem to have overcome the first hurdle in our trot work. It's getting stronger every day, and every day she starts to use her haunches more and more to create a very powerful FEI-level trot.
We've started on the half passes in the Grand Prix. The angle isn't as hard as I'd imagined, and we've had general success in keeping our tempo regular throughout the half pass. This stuff isn't easy for the horse, though, and I don't like asking for it more than I really have to. We had started a little passage work, but I noticed the quality of our collected trot diminished, so I've stopped working on it. The passage and piaffe are there, and will still be there when the time seems better to work on them.
We've started on the half passes in the Grand Prix. The angle isn't as hard as I'd imagined, and we've had general success in keeping our tempo regular throughout the half pass. This stuff isn't easy for the horse, though, and I don't like asking for it more than I really have to. We had started a little passage work, but I noticed the quality of our collected trot diminished, so I've stopped working on it. The passage and piaffe are there, and will still be there when the time seems better to work on them.
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